Тардовская статистика, машинный слух и Big Data. Все, что воспринимаемо, — лишь число

1. Helmholtz H. von (1995) On the Physiological Causes of Harmony in Music. Science and Culture: Popular and Philosophical Essays, ed. David Cahan. Chicago: University of Chicago Press: 46-75.

2. Helmreich S. (2008) An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography. American Ethnologist 34(4): 621-641.

3. Latour B. (2010) Tarde’s Idea of Quantification. The Social After Gabriel Tarde: Debates and Assessments, ed. Matei Candea. New York: Routledge: 145-162.

4. Sterne J. (2003) The Audible Past. Durham, NC: Duke University Press.

5. Sterne J. (2012) МРЗ: The Meaning of a Format. Durham, NC: Duke University Press. Tarde G. (1903) The Laws of Imitation, New York: Henry Holt and Company.

6. Tarde G. (1969) Basic Principles. On Communication and Social Influence, ed. Terry N. Clark. Chicago: University of Chicago Press: 143-148.